Serenity
Tempera, coffee, acrylic,
32 X 12 X 1 inch
A serene figure with a floral headdress sits gracefully atop a large blue lotus, holding a symbolic object while reflecting in calm water below. The piece conveys a sense of tranquility and spiritual enlightenment through its use of soft colors and luminous details.
So here is what I'm calling "Serenity"
I started this painting assuming it to be the Buddhist deity Tara Mahamayuri (the 18th Tara of the 21 Tara pantheon), a protective goddess, especially for women and children, a transmuter of poisons, peaceful and luminous like a glacier lit by the moon. However she is holding the mirror of Tara Sarasvati. Her eyes are closed as she holds the moon's reflection to us. I painted her on hand made lokta paper glued on a canvas that I'd prepped with old stained book pages. The books I use are never aggressive in nature. And before you cry "sacrilege!" the books were being thrown away by charity shops, so in this way, I feel that I have given them a new lease on life. The entire painting is designed to look aged and fit in a WabiSabi styled space as well as a temple room. The lokta paper has been rubbed to give extra texture.
Prints on demand are available as is the original which is 32 X 12 X 1 inch I painted with Tempera, coffee and acrylic
Price:
GBP 750
Kuan Yin
Tempera, coffee, acrylic,
27.5 X 27.5 X 1.5 inch
Kuan Yin
In this sepia-toned painting, Kuan Yin, the embodiment of compassion, sits serenely beneath the protective embrace of a majestic tree. The flowing branches and leaves create a natural sanctuary around her, as she gently holds her willow of benevolence. To her left calligraphy inscribes her sacred mantra: Namo Guan Shi Yin Pusa (南無觀世音菩薩), which translates to Homage to the Bodhisattva who perceives the sounds of the world.
Kuan Yin is seated, eyes closed again, within an enso, symbolizing enlightenment and the infinite nature of existence with her halo of gold.
The canvas, measuring 27.5" by 27.5, is initially layered with pages from discarded books, sourced thoughtfully from charity shops then covered with rice paper. These book pages, selected to avoid any violent or negative content, add visual texture to the artwork. The entire piece is washed with a blend of coffee and silk dye, giving it a warm, antique feel that is at home with the Wabi Sabi aesthetic, and the details are rendered in Chinese ink and Tempera.
Price:
GBP 1200
Guanyin
Dye, tempera and 24 ct gold on Ahimsa silk
Kuan Yin is a symbol of mercy, compassion and healing, known for her vow to remain in the world until all sentient beings are liberated from suffering. Originating from Indian Buddhism as Avalokiteshvara, Kuan Yin evolved and her boon-giving qualities typically depict her holding a willow branch, symbolizing healing and good fortune and a vase containing pure water, representing compassion and the nectar of enlightenment. In this image, Kuan Yin’s halo and aura are almost like the Lemniscate, the symbol for eternity, and her willow branch pierces through the veil into our dimension of reality as does the blessed water flow down to us. She holds an intense gaze of intent.
Price:
Price on request
GuanYin
Tempera, coffee on rice paper, on canvas
Kuan Yin is a symbol of mercy, compassion and healing, known for her vow to remain in the world until all sentient beings are liberated from suffering. Originating from Indian Buddhism as Avalokiteshvara, Kuan Yin evolved and her boon-giving qualities typically depict her holding a willow branch, symbolizing healing and good fortune and a vase containing pure water, representing compassion and the nectar of enlightenment. In this image, she is in her Royal Ease pose and her accoutrements are subtly represented elsewhere. The style and presentation is aged.
Price:
Price on request
KuanYin
Tempera, coffee on rice paper, on canvas
Kuan Yin is a symbol of mercy, compassion and healing, known for her vow to remain in the world until all sentient beings are liberated from suffering. Originating from Indian Buddhism as Avalokiteshvara, Kuan Yin evolved and her boon-giving qualities typically depict her holding a willow branch, symbolizing healing and good fortune and a vase containing pure water, representing compassion and the nectar of enlightenment.
This image combines Kuan yin’s compassionate gaze with a Japanese Reifu symbol. Reifu symbols are akin to talismans that can be displayed in one’s home. This magical symbol invites good luck and repels miss fortune.
Price:
Price on request
Nairatmya
Nairatmya is a female Buddha from the early Vajrayana tradition who represents the bliss attained from realizing egolessness.
She is seated upon the dead ego with a relaxed seat and extended leg over the symbolic lotus. She holds the traditional Chod implements of a Kartika, the traditional flaying knife, symbolically cutting through ignorance and cutting away the detritus ego impeding enlightenment, and the wisdom nectar-filled skull cap known as a kapala.
Nairatmya is a figure and concept found within various branches of Indian religion and philosophy, particularly within certain tantric traditions of Buddhism and Hinduism. The term "Nairatmya" is Sanskrit and can be translated as "Devoid of Self" or "No-Self." This concept holds philosophical and spiritual significance, particularly in relation to the notions of selflessness, emptiness, and ultimate reality.
In Buddhism:
In certain strands of Mahayana Buddhism, particularly within Vajrayana or Tantric Buddhism, Nairatmya represents the wisdom aspect of the female Buddha or deity. She is often depicted as a wrathful or semi-wrathful goddess figure, representing the transcendence of the concept of self or ego. Nairatmya's symbolism is closely tied to the concept of "emptiness" (shunyata) – the idea that all phenomena lack inherent, independent existence.
Nairatmya embodies the realization that the self and all phenomena are devoid of intrinsic existence, and this realization is a key aspect of the path toward enlightenment. In tantric practices, Nairatmya may be meditated upon as a deity to help practitioners let go of their ego-driven attachments and realize the interconnectedness and interdependence of all things.
In Hinduism:
In certain branches of Hinduism, Nairatmya is also associated with the concept of transcending the self. The term can be found in texts like the "Yoga Vasistha," where it's used to illustrate the principle of realizing the ultimate reality beyond the limitations of the ego or individual self. Nairatmya embodies the idea that the true nature of reality is beyond individual identity and that one's spiritual journey involves recognizing this truth.
In both Buddhism and Hinduism, Nairatmya represents the realization of the nature of self and reality. She encourages us to go beyond the illusion of separateness and ego-driven desires and to recognize the interconnectedness of all existence.
Price:
Price on request
Naga Kanya Bestowing Treasures
Open edition giclées are available.
The original painting is on fine ahimsa silk wrapped over a gilded canvas. The gold shimmers through the silk as the light changes and the angle of the onlooker. 24ct gold is also used as sacred highlights in the painting. (Nearly impossible to capture digitally through video footage).
Naga Kanya bestowing treasures. What treasures does it represent in your life?
Naga Kanya, (though strictly speaking she is a Nagi or Nagini whereas the male is a naga. Found in Buddhism, Hinduism, Jainism, and Sikhism. (more via Wiki)).
I have painted her in watery colors as I feel the entire energy of this powerful deity is of deep waters and the treasures that can be offered from there. Plus blues and Aquas are also very feminine colors.
" Naga Kanya
This means the daughter of the snake and was originally a Hindu figure later adopted by the Buddhists to represent the guardians of treasures, especially concealed teachings. Nagarjuna, of the second century, is said to have received the important prajnaparamita sutra text from the underworld nagas or snake deities. This text became a fundamental doctrine of the new Mahayana Buddhist movement and was published in book form in China in 868 A.D., the earliest printed book in the world. " (http://dharmapundit.blogspot.fr)
Naga Kanya, also known as Nāga-Kanni or Nāga Princess, is a mythical serpent deity in Hindu, Buddhist, and Jain traditions. Naga Kanyas are often depicted as half-human and half-serpent beings, symbolizing a combination of human and serpent qualities. These serpent maidens are usually depicted as beautiful and alluring, possessing both physical and supernatural attributes.
Symbolism:
Naga Kanyas carry complex symbolism in different cultural and religious contexts:
Guardians of Treasures: In Hindu and Buddhist traditions, Naga Kanyas are often associated with protecting valuable treasures, both material and spiritual. They are believed to guard precious gems, jewels, and hidden treasures beneath the earth or within bodies of water.
Nature and Water Spirits: Naga Kanyas are closely connected to water bodies such as rivers, lakes, and oceans. They are considered nature spirits that embody the power and energy of water, which is vital for life and fertility.
Rebirth and Renewal: Serpents, in general, are associated with the cycle of life, death, and rebirth due to their shedding of skin. Naga Kanyas symbolize the cyclical nature of existence and the potential for transformation and renewal.
Fertility and Protection: Naga Kanyas are often considered protectors of fertility and the well-being of communities. They are sometimes invoked for blessings related to childbirth and agricultural prosperity.
In various cultural and religious contexts, Naga Kanyas appear with different names and stories:
In Hinduism, Naga Kanyas are often associated with the Nagas, divine serpent beings. They are considered part of Naga royalty and have prominent roles in Hindu epics and Puranic stories. The marriage of Naga Kanya Ulupi to the Pandava prince Arjuna is a well-known narrative from the Mahabharata.
In Buddhist traditions, Naga Kanyas are often depicted as protectors of the Dharma and Buddhist relics. They are seen as beings who pay homage to Buddha's relics and offer protection to his teachings. In Jainism, Naga Kanyas are also present in stories and art. They are sometimes depicted as devotees of Jain Tirthankaras and are believed to possess great spiritual insight.
Naga Kanyas embody a blend of mysticism, beauty, and spiritual significance. They serve as reminders of the interconnectedness between humans, nature, and the unseen realms. While their depictions and roles may vary across different traditions, the underlying themes of protection, fertility, and guardianship remain consistent.
Here she offers magic, protection, blessings, prosperity, and aligned relationships all In all forms, in all planes of existence. She is the immortal, ultimate treasure-bringing Goddess.
With her Aquila wings, 'echoing' her mortal enemies' wings, the garudas, we can even suggest that she carries the thunderbolts of Zeus/Jupiter (the beneficent Guru planet).
Notice her shape? Coiled at the base and rising up to a shape very similar to that of Caduceus, Isis (and her high magical powers, cleverly gained from a snake bite to Ra), and the misunderstood and much maligned Lilith. But most notably, the uterus - the seat of creation. Our first home. There is a train of thought that it is in fact the uterus that is implied symbolically in many of these images, more so than the double helix and kundalini rising.
The Naga is the Sanskrit term for deity in the form of a serpent, essentially a water snake.
The study of snakes is called Ophiolatry and it is to be found ubiquitously throughout mankind's history in one form or another. One can even surmise that its fervent demonetization has been a form of worship and it is my contention that such zeal for condemnation comes from a deep-seated place of fear. And a great fear is that of truth. And it is upon this 'truth' that I will elucidate some. Though I would always encourage anyone interested, to delve deeper for themselves as there is a plethora of information out there.
So to dive into the symbolism of the snake. The salvation from its toxin lies within itself. It sheds its outworn skin revealing its fresh new one in the world. It is the interminable cyclic nature of Ouroboros It is the Torus.
It is the energy rising, the awakening kundalini.
The naga is associated with water and is typically found in small ponds to oceans. Water represents our emotional body.
The naga is an aquatic serpent in human form with eagle wings. Water, earth, air. But where is the fire to complete this foursome? In fact, She is her own fire.
In many respects, she represents the unfettered Dakini or kundalini energy.
Awakened, She is what connects us to higher consciousness.
Naga Kanya offers us this treasure from her vase, this treasure of emotional nourishment, offered from her heart of the womb.
Price:
Price on request
Naga
My silk painting of the treasure-giving Naga. The original is on fine ahimsa silk that is wrapped over a gilded canvas. The gold shimmers through the silk as the light changes and the angle of the onlooker. 24ct gold is also used as sacred highlights on the painting.
In this painting of her, I have her almost invisible. Powerful, glowing, yet translucent, like the water itself, with organic algae as her silk scarf.
Naga Kanya bestowing treasures. What treasures does it represent in your life? And in invoking her energy, how can this image help you?
Naga Kanya. Though strictly speaking she is a Nagi or Nagini whereas the male is a naga. These nagas are found in Buddhism, Hinduism, Jainism, and Sikhism. (more via Wiki).
The secret teachings of the Prajnaparamita were said to have been given to the Nagas for safekeeping and when the time was ripe, gave them to Nagarjuna, (1-200AD). These sacred texts on the true nature of reality became fundamental to Mahayana Buddhism and were printed in one of, if not - the - first printed book.
These immortal serpent human hybrids are often found flanking Gods in protection.
Naga Kanya however is multifaceted energy that gifts us with a multitude of gifts.
Here she offers magic, protection, blessings, prosperity, and aligned relationships all In all forms, in all planes of existence. She is the immortal, ultimate treasure bringing Goddess.
With her Aquila wings, she arguably carries the thunderbolts of Zeus/Jupiter, the beneficent Guru planet.
Notice her shape? Typically very similar to that of Caduceus, Isis (and her high magical powers, cleverly gained from a snake bite to Ra) the misunderstood and much-maligned Lilith. But most notably, the uterus - the seat of creation. Our first home. There is a train of thought that it is in fact the uterus that is implied symbolically in many of these images, more so than the double helix and kundalini rising.
The Naga is the Sanskrit term of deity in the form of a serpent, essentially a water snake.
Ophiolatry (essentially snake worship) is to be found ubiquitously throughout mankind's history in one form or another. One can even surmise that its fervent demonetization has been a form of worship and it is my contention that such zeal for condemnation comes from a deep-seated place of fear. And a great fear is that of truth. And it is upon this 'truth' that I will elucidate some. Though I would always encourage anyone interested, to delve in deeper for themselves as there is a plethora of information out there.
So to dive into the symbolism of the snake. The salvation from its toxin lies within itself. It sheds its outworn skin revealing its fresh new one in the world. It is the interminable cyclic nature of Ouroboros It is the Torus.
It is the energy rising, the awakening kundalini.
The naga is associated with water and typically would be found from small ponds to oceans. Water represents our emotional body.
The naga is an aquatic serpent in human form with eagle wings. Water, earth, air one could say. But where is the fire to complete this foursome? In fact, She is her own fire.
The unfettered Dakini. She is kundalini energy.
Awakened, She is what connects us to higher consciousness.
The conch. In Hinduism and Buddhism and Bon, the conch has been used as both water (emotional body) container and trumpet, for announcing, calling, and awakening to Buddhadharma and is Lord Vishnu's attribute (where his wealth giving Goddess consort Lakshmi resides.)
The conch is an ocean creature, living in the warm shallow waters, and though possibly unrelated in this historical context, I think of the nautilus and how it feeds in shallow waters of the night but descends to depths of nearly 2000 feet during the sunlight hours. It makes me think of the dark, hidden places - even in the 'mid-day sun' - to assimilate the nourishment it has consumed.
Naga Kanya offers us this conch, this treasure of emotional nourishment, offered from her heart of the womb.
Naga Kanya, also known as Nāga-Kanni or Nāga Princess, is a mythical serpent deity in Hindu, Buddhist, and Jain traditions. Naga Kanyas are often depicted as half-human and half-serpent beings, symbolizing a combination of human and serpent qualities. These serpent maidens are usually depicted as beautiful and alluring, possessing both physical and supernatural attributes.
Symbolism:
Naga Kanyas carry complex symbolism in different cultural and religious contexts:
Guardians of Treasures: In Hindu and Buddhist traditions, Naga Kanyas are often associated with protecting valuable treasures, both material and spiritual. They are believed to guard precious gems, jewels, and hidden treasures beneath the earth or within bodies of water.
Nature and Water Spirits: Naga Kanyas are closely connected to water bodies such as rivers, lakes, and oceans. They are considered nature spirits that embody the power and energy of water, which is vital for life and fertility.
Rebirth and Renewal: Serpents, in general, are associated with the cycle of life, death, and rebirth due to their shedding of skin. Naga Kanyas symbolize the cyclical nature of existence and the potential for transformation and renewal.
Fertility and Protection: Naga Kanyas are often considered protectors of fertility and the well-being of communities. They are sometimes invoked for blessings related to childbirth and agricultural prosperity.
In various cultural and religious contexts, Naga Kanyas appear with different names and stories:
In Hinduism, Naga Kanyas are often associated with the Nagas, divine serpent beings. They are considered part of Naga royalty and have prominent roles in Hindu epics and Puranic stories. The marriage of Naga Kanya Ulupi to the Pandava prince Arjuna is a well-known narrative from the Mahabharata.
In Buddhist traditions, Naga Kanyas are often depicted as protectors of the Dharma and Buddhist relics. They are seen as beings who pay homage to Buddha's relics and offer protection to his teachings.
In Jainism, Naga Kanyas are also present in stories and art. They are sometimes depicted as devotees of Jain Tirthankaras and are believed to possess great spiritual insight.
Naga Kanyas embody a blend of mysticism, beauty, and spiritual significance. They serve as reminders of the interconnectedness between humans, nature, and the unseen realms. While their depictions and roles may vary across different traditions, the underlying themes of protection, fertility, and guardianship remain consistent.
Price:
Price on request
Kuan Yin with bird
. She's on the usual ahimsa silk with gold leaf stretched over 300mg watercolor paper.
Unlike many of my other paintings, the silk is raw and undyed with no covering of gold underneath the silk, aside from her halo. She contains the reiki symbol sei he ki. It is known as the emotional mental healing symbol, bringing us back into harmony. Simplicity was the only way to go in this painting.
Gentleness is underrated, yet it is only through the grace of gentleness that we can truly connect with one another. Along with the serene quality of Kuan Yin, I have included the Reiki symbol Sei Heki, for balance, harmony, peace, and unity as we heal through becoming unified with source.
Kuan Yin, also spelled as Guanyin or Guan Yin, is a bodhisattva of compassion who holds a significant place in various East Asian Buddhist traditions, particularly in Chinese Buddhism. She is revered as a symbol of mercy, compassion, and healing, and her presence has extended beyond religious boundaries to become a beloved figure in popular culture.
Origins and Evolution:
Kuan Yin's origin can be traced back to Indian Buddhism, where she was known as Avalokiteshvara. Over time, as Buddhism spread to East Asia, Avalokiteshvara's qualities merged with local beliefs and cultural influences to give rise to the figure of Kuan Yin. In China, Kuan Yin is often referred to as the "Goddess of Mercy."
Attributes and Depictions:
Kuan Yin is often depicted as a bodhisattva with great compassion for all sentient beings. She is typically portrayed as a graceful and serene figure, often shown standing or seated in meditation, holding a willow branch or a vase containing pure water. The willow branch is a symbol of healing and a wish for good fortune, while the water in the vase represents compassion and the nectar of enlightenment.
One of Kuan Yin's distinctive features is her vow to remain in the world until all sentient beings are liberated from suffering. She is said to hear the cries of those in need and respond to their pleas for help, offering her compassion and aid.
This is painted on ahimsa silk
Price:
Price on request
Meeting the Dragon - Kuan Yin
ahimsa silk, pigments, tempera and gold
Kuan yin meeting the Dragon.
Dragons. I love dragons! Call me greedy if you will, but I want one. Especially if it is a flying dragon and I could ride it.
As most of us know, they are ubiquitous throughout global history yet mean very different things to different folks. The dragon is a magical creature with whom Kuan Yin is associated.
Is it a personal inner demon dragon to quash or make peace with? Is it the ch'i-lin? Dating back to the reign of the Chinese emperor Huang-ti (2697-2597 bc) considered the noblest of all creatures, representing peace, prosperity and good fortune, never eating living things and would never place a for on growing grass.
What does a dragon mean to you? How will you meet yours?
So this is a Kuan Yin and her dragon.
Kuan Yin, also spelled as Guanyin or Guan Yin, is a bodhisattva of compassion who holds a significant place in various East Asian Buddhist traditions, particularly in Chinese Buddhism. She is revered as a symbol of mercy, compassion, and healing, and her presence has extended beyond religious boundaries to become a beloved figure in popular culture.
Origins and Evolution:
Kuan Yin's origin can be traced back to Indian Buddhism, where she was known as Avalokiteshvara. Over time, as Buddhism spread to East Asia, Avalokiteshvara's qualities merged with local beliefs and cultural influences to give rise to the figure of Kuan Yin. In China, Kuan Yin is often referred to as the "Goddess of Mercy."
Price:
Price on request
Kurukulla
Kurukulla is a prominent figure in Tibetan Buddhism and is often referred to as a deity associated with enchantment, magnetism, and the manipulation of energies for spiritual and worldly goals. She is widely revered as a wisdom dakini, a female embodiment of enlightened wisdom and spiritual insight. Kurukulla's practice is particularly popular in Vajrayana Buddhism, where she plays a significant role in both esoteric rituals and meditation practices.
Here with her accoutrements plus the fluid red thread of fate to be loosed through the illusion of a clockwork mechanistic universe. She is the higher tantric red tara, the emanation of magnetism and magic. Enchantment and the cause of knowledge.
From the compassionate red lotus of the western pure lands, the Padma Family of Amitabha, is the beautiful Kurukulla. She is often considered the Red Tara of subjugation, coercion, and fascination, shooting her sacred red uptala arrows of love at all, even those who are sworn against the Dharma, and hooking them and with her binding noose, reeling them and us into her embrace and into higher realms of consciousness. Her crown of five skulls represents the five transcendent insights of a Buddha—compassion, effort, mindfulness, concentration, and the ability to clearly mirror reality. She represents the beauty of the Dharma and speech. Her Tibetan name, Rigiyedma, translates as “mistress of magic,” “mistress of knowledge,” and “cause of knowledge,” though none are literal translations of the Sanskrit.
Atypically for the Buddhist pantheon, with her charms of love, seduction, and even sex, it is easy to associate her more with Aphrodite wielding Cupid’s bow and arrow rather than the more typical flaying knife and skull cup-wielding deity we’re more accustomed to seeing in Buddhist iconography. In fact, within the Buddhist world, where attachment and desire are aspects to be purged, Kurukulla is nothing but attachment, which seems curious. But like the mesmerizing nature of clouds, hypnotic running water, or leaves swaying in the warm breeze of a lazy day, Kurukulla’s way is to enchant us into her wisdom, to transmute our passions into that wisdom. Like rays of sunshine, she reaches out to us all. Her noose is the red of uptala flowers, the red of passion and compassion, a red thread that lovingly wraps itself around us. And the red thread has long been associated with love and romantic interconnection, as well as the more obvious symbolism of the veins of our lifeblood.
There is a beautiful Asian belief about the red thread of fate that connects those destined for each other. No matter how knotted, tangled, or stretched that thread may become, it will never break, and eventually, at the right time, the couple will meet their shared destiny. In India, the red thread binds us in love and protects us, and there is a feeling of protection when life feels written. Similarly, there were also the Three Fates of ancient Greece spinning and issuing the threads of our lives from birth till the very end, as well as the Three Norns doing the same in old Norse mythology.
As if the thread was a way to free us from the labyrinth of our life, we have the Greek myth of Theseus, who, having been given a red thread by Ariadne, rescued himself from the Minotaur’s labyrinth. If we are Theseus, Ariadne could be Kurukulla with her red noose. The red noose is our umbilical cord and we are nourished by her. She is red like blood—like menstrual blood, which carries everything needed for the growing embryo because she is more than the gorgeous icon seducing us to the Dharma, the pinup superstar, using her allure and influence for a worthy cause, she is also associated with magic. And what could be considered more magical than the creation of life? Kurukulla was absorbed into the Tara pantheon of Buddhism as a goddess personification from a long tradition of Indian love magic, yet she now holds the positions of both Buddhahood as well as the sky-dancing nature of the Dakini . . . where the mirror lies. The primary mantra associated with Kurukulla is:
"OM KURUKULLA HRIH SOHA"
Chanting this mantra and engaging in her practice can be done for various purposes, including enhancing one's personal magnetism, transforming negative energies, and working towards spiritual realization.
Vajrayana Practices:
Kurukulla's practice is often included in Vajrayana rituals and ceremonies, where her energy is invoked to empower various activities and aspirations. She is also included in higher yoga tantra practices, where practitioners visualize her to develop qualities of wisdom, compassion, and skillful means.
Price:
Price on request
White Tara
ahimsa silk, pigments, tempera and gold
White Tara, a revered deity in Vajrayana Buddhism, symbolizes compassion, wisdom, and longevity. Often depicted with seven eyes to represent her omniscient awareness, she is believed to offer healing and protection to her devotees. Practitioners meditate on her image and virtues to internalize these qualities. Central to her practice is the mantra "Om Tare Tuttare Ture Svaha," which is chanted to invoke her blessings and connect more deeply with her compassionate energy. This mantra is thought to bring about healing, protection, and a strengthened spiritual connection with White Tara.
Price:
Price on request
White Tara
ahimsa silk, pigments, tempera and gold
The swift mother comes when called for healing. She is compassionate, healing, and wish-fulfilling and she can help stabilize life force.
We call upon White Tara as a protectress and, as how we feel affects our biology, heals our ills, physical or emotional, she can help lead to a much longer healthy life. Her mantra is
Oṃ Tāre Tuttāre Ture Mama Ayuḥ Punya Jñānā Puṣtiṃ Kuru Svāhā and we can visualize her in tantric meditation.
The beauty of these Buddhist deities, these archetypes, is that it doesn't really matter if you believe that they are actual entities living beyond the veil or psychological attributes, when we delve into what they mean and work with that energy, change pattern happens.
White Tara is known as the swift mother who comes when called for healing. She is compassionate, healing and wish fulfilling and she can help stabilize life force.
We call upon White Tara as a protectress and, as how we feel affects our biology, heals our ills, physical or emotional, can help lead to a much longer healthy life. Her mantra is ~
Oṃ Tāre Tuttāre Ture Mama Ayuḥ Punya Jñānā Puṣtiṃ Kuru Svāhā and we can visualise her in tantric meditation.
White Tara is a revered figure in Tibetan Buddhism and other Himalayan Buddhist traditions. She is a bodhisattva – an enlightened being who has chosen to postpone full Buddhahood in order to help alleviate the suffering of all sentient beings. White Tara is known for her compassion, healing energy, and the ability to grant long life, protection, and blessings.
Price:
Price on request
White Tara
ahimsa silk and gold
X X 0 inch
This is a giclée from my silk painting of White Tara, who is a tantric deity revered in Vajrayana Buddhism for her compassion, longevity, and healing powers. She is depicted as a radiant figure in white, symbolizing purity, wisdom, and truth. In meditation, practitioners visualize White Tara enveloped in pure white light, with a focus on her seven eyes—three on her face, one on the palm of each hand, and one on the sole of each foot—representing her omniscience. The practice involves reciting her mantra, “Om Tare Tuttare Ture Svaha,” which is believed to grant long life, merit, and wisdom, as well as protection from physical and mental harm. Meditating on White Tara is said to purify the mind, extend one’s lifespan, and bring about a peaceful and compassionate state of being.
Prints will be posted in A3 tubes
Price:
Price on request
White Tara
Giclée
16.5 X 11.7 X 00 inch
White Tara is revered in Tibetan Buddhism and other Himalayan Buddhist traditions. She is a bodhisattva – an enlightened being who has postponed full Buddhahood to help alleviate the suffering of all sentient beings. White Tara is known for her compassion, healing energy, and the ability to grant long life, protection, and blessings.
White Tara is known as the swift mother who comes when called for healing. She is compassionate, healing and wish-fulfilling and she can help stabilize life force.
We call upon White Tara as a protectress and, as how we feel affects our biology, heals our ills, physical or emotional, and can help lead to a much longer healthy life. Her mantra is ~
Oṃ Tāre Tuttāre Ture Mama Ayuḥ Punya Jñānā Puṣtiṃ Kuru Svāhā and we can visualise her in tantric meditation.
This is an A3 giclee
Price:
Price on request
White Tara
The swift mother comes when called for healing. She is compassionate, healing, and wish-fulfilling and she can help stabilize life force.
We call upon White Tara as a protectress and, as how we feel affects our biology, heals our ills, physical or emotional, she can help lead to a much longer healthy life. Her mantra is
Oṃ Tāre Tuttāre Ture Mama Ayuḥ Punya Jñānā Puṣtiṃ Kuru Svāhā and we can visualize her in tantric meditation.
This painting of her has a sumptuous colourful flush with a look of knowing.
White Tara is a revered figure in Tibetan Buddhism and other Himalayan Buddhist traditions. She is a bodhisattva – an enlightened being who has chosen to postpone full Buddhahood in order to help alleviate the suffering of all sentient beings. White Tara is known for her compassion, healing energy, and the ability to grant long life, protection, and blessings.
Price:
Price on request
Kuan Yin
ahimsa silk and gold
Kuan yin is the Chinese emanation of compassion. She is often associated with the dragon which I painted as a version of the ouroboros with her seated at the center. The waters here are cloud-like as Kuan Yin, riding her dragon, appears through what looks like a porthole. The dragon can be seen as our primordial energy, our kundalini, tamed by Kuan Yin's compassion, the waters as our emotional body and the willow as the boons bestowed.
her mantra is
namó kwan shi yin pusá
Kuan Yin's origin can be traced back to Indian Buddhism, where she was known as Avalokiteshvara. Over time, as Buddhism spread to East Asia, Avalokiteshvara's qualities merged with local beliefs and cultural influences to give rise to the figure of Kuan Yin. In China, Kuan Yin is often referred to as the "Goddess of Mercy." Kuan Yin is often depicted as a bodhisattva with great compassion for all sentient beings. She is typically portrayed as a graceful and serene figure, often shown standing or seated in meditation, holding a willow branch or a vase containing pure water. The willow branch is a symbol of healing and a wish for good fortune, while the water in the vase represents compassion and the nectar of enlightenment.
One of Kuan Yin's distinctive features is her vow to remain in the world until all sentient beings are liberated from suffering. She is said to hear the cries of those in need and respond to their pleas for help, offering her compassion and aid.
Price:
Price on request
Nyoirin Kannon
Silk on canvas
19.5 X X 1.5 inch
This painting is based upon a gilded statue of Nyoirin Kannon - Sanskrit: Avalokiteshvara, known as G(K)uan Yin in China and Tara in Tibet - of the Japanese Edo period *this statue is considered a votive offering as the donors names are carved into its based. All forms of Avalokiteshvara are considered Bodhisattva embodiments of compassion and namely, called upon for protection and health.
For this one, I wanted the entire body to shimmer, so I gilded the shape of the figure on the prepped canvas. The canvas has images of illumination from the book of Kells on it.
With pure 24ct gold for the halo and moon disk and I am not sure why the bamboo... But it kinda makes sense. Plus, I like bamboo.
The original is available as are open giclées both true-to-life size 19.5" X 13" and smaller at 10" x 15".
Nyoirin Kannon, also known as Cintamani Avalokiteshvara or Wish-Fulfilling Avalokiteshvara, is a prominent figure in Mahayana Buddhism, particularly in Japanese Buddhist traditions. Nyoirin Kannon is revered as a bodhisattva of compassion and is often depicted with multiple arms and attributes symbolizing his compassionate actions and ability to fulfill the wishes of sentient beings. Though in this statue from which I took inspiration, there are two arms and no attributes. s/he is "au naturel"
Price:
Price on request
Prajnaparamita
Giclée
Prajnaparamita is the feminine/Great mother personification of the "Perfection of Wisdom" from the Mahayana Buddhist sutra of the same name. She is ultimate wisdom, the essence of the 'void' made manifest. One could say, she is the nature of reality at the quantum level.
This correlates with the symbol of the circumpunct. The circle with a dot in the middle. One of the most ancient and ubiquitous symbols that mean many things to many people. To the alchemists, it is gold, to the astronomers, Egyptians and the Chinese oracle, it's the sun. It is the unmanifest EVERYTHING and self. To the Pythagoreans it's eternity where the “center (monad) is everywhere and the circumference nowhere.” conversely also seen as the monad being the potential and the circumference, full manifestation.
It is akin to the Zen Enso circle of enlightenment with the extra point of focus.
The circle is Her aura and the dot is the orb of golden energy.
Subtly in the background is a Dorje, a representation of the Diamond Sutra, part of the collection of "Perfection of Wisdom" sutras.
Price:
Price on request
White Tara Walking
ahimsa silk, pigments, tempera and gold
The swift mother comes when called for healing. She is compassionate, healing, and wish-fulfilling, and she can help stabilize life force.
We call upon White Tara as a protectress and, as how we feel affects our biology, heals our ills, physical or emotional, can help lead to a much longer healthy life. Her mantra is
Oṃ Tāre Tuttāre Ture Mama Ayuḥ Punya Jñānā Puṣtiṃ Kuru Svāhā and we can visualize her in tantric meditation.
Here she is, standing, walking. She is physically active in our lives, one can say. With Her hand in the boon gesture, she is seeing with one of her 7 eyes and offering us her healing.
This image was one of a few of my paintings that graced the Buddhist book "Tonight I met a Deva" by Alan Clements, and forwarded by HH Dalai Lama
White Tara is a revered figure in Tibetan Buddhism and other Himalayan Buddhist traditions. She is a bodhisattva – an enlightened being who has chosen to postpone full Buddhahood in order to help alleviate the suffering of all sentient beings. White Tara is known for her compassion, healing energy, and the ability to grant long life, protection, and blessings.
Price:
Price on request
Ekadasa-Mukh-Avalokitesvara
ahimsa silk, pigments, tempera and gold
This one, with the stern look of a grandparent who loves you very much and only wants the best for you, even if that means doing things the tougher way, or not getting what you think you want.
Based upon the drawings of the Dunhuang Frescoes, though it remains unclear from which cave the painting is copied. This is the Eleven-faced Avalokitesvara of the Late Tang period. One of the six Avalokitesvara Bodhisattvas. The eleven faces symbolize that she has gone through dasabhumi (ten stages of self-cultivation for Bodhisattvas) and finally successfully reaching the eleventh stage. Buddhahood. The front face is benevolent, while the left and right sides are angry. Seven over the coronet are of Bodhisattvas and the Buddha is at the very top. The arms enable her to satisfy the desires of sentient beings and relieve them of suffering. Normally painted with eight arms, s/he holds various mudras, a water bottle with nectar, a willow branch, and the sun and moon. (Credit to the "Reproductions of the Dunhuang Fresco Mural Paintings and Seals of Zhang Damian")
The Eleven-faced Avalokitesvara of the Late Tang period refers to a specific representation of the bodhisattva Avalokiteshvara, a compassionate and enlightened being in Buddhist tradition. This particular depiction of Avalokiteshvara features eleven faces, each with a serene expression, and a multitude of arms, each holding various symbolic attributes. The Eleven-faced Avalokitesvara is considered a manifestation of compassion, and its depiction was prominent during the Late Tang Dynasty in China
The original painting is on cruelty-free silk, wrapped over coffee-stained book leaves on canvas. Traditionally applied 24ct gold was then applied to the halo and adornments.
Price:
Price on request
Ekadasa-Mukh-Avalokitesvara
Silk on canvas
This is a silk and gold painting stretched over a prepared canvas.
It is based upon the drawings of the Dunhuang Frescoes, though it remains unclear from which cave the painting is copied. This is the Eleven-faced Avalokitesvara of the Late Tang period. One of the six Avalokitesvara Bodhisattvas. The eleven faces symbolize that she has gone through dasabhumi (ten stages of self-cultivation for Bodhisattvas) and finally successfully reaching the eleventh stage. Buddhahood. The front face is benevolent, while the left and right sides are angry. Seven over the coronet are of Bodhisattvas and the Buddha is at the very top. The arms enable her to satisfy the desires of sentient beings and relieve them of suffering. Normally painted with eight arms, she holds various mudras, a water bottle with nectar, a willow branch and the sun and moon. (Credit to the "Reproductions of the #Dunhuang Fresco Mural Paintings and Seals of Zhang Damian")
Price:
Price on request
Subscribe
EN
ES
FR
DE